Canto Ostinato

Canto Ostinato can be performed in a variety of combinations of keyboard instruments e.g. four pianos. The composition finds its origin in a traditional source. It is tonal and uses functional harmonies. Although all parts have their own fixed place during the performance and cannot be exchanged, neither the beginning nor the end as limits of form, have any absolute significance.

Cause and result, tension and relaxation, as inseparable functional pairs become independent and are halted in the sequence by repetition. Chords or groups of chords, enclosed in bars and sections, are loosened from the melodic link and start leading a life of their own. Time is an important element.

The bars or sections get a repeat mark and the performers must decide themselves on the number of repeats. This repeat procedure is aimed at the creation of a situation in which the musical object confirms its independence and can search for the most favourable position regarding the light. Time turns into space in which the musical object starts to hover.

SIMEON TEN HOLT