Steven G. Laitz

The Complete Musician

An Integrated Approach to Theory, Analysis, and Listening
– Fourth Edition –

S.G. Laitz: The Complete Musician (0)
Vydání:
Učebnice (s notami)
Číslo položky:
887157
Autor / skladatel:
Jazyk:
anglicky
Obsah:
960 stran(y); 20,3 × 25,4 cm
Rok vydání:
2016
Vydavatel / výrobce:
Výrobní číslo:
9780199347094
ISBN:
9780199347094

Popis

Beginning with music fundamentals, The Complete Musician covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context. Rather than rote learning of concepts and memorizing terms, The Complete Musician emphasizes how theory informs the work of performers.

Composers respond not only to their instincts, experiences, and training in every work they write; they also follow certain ideals and models when appropriate, and modify them to fit their own personal vision.

Theory is not a "theoretical" activity; it is a living one that responds to how music is composed and performed. Understanding how theory intersects with composition and performance is key to seeing its relevance to students' wider musical lives. The Complete Musician makes this connection.

New to this Edition

  • Coverage of twentieth-century and contemporary music theory to meet the needs of professors who want to integrate post-tonal music into their courses
  • A consolidated introduction to fundamentals at the beginning of the book
  • Enhanced pegagogy and design, including: a new two-color design; New Chapter Openings featuring Chapter Overviews; Additional subheads; and End-of-chapter Review Questions
  • 300 new exercises and examples accompanied by recordings provide additional emphasis to help students and teachers focus on key concepts
  • An expanded Companion Website at www.oup.com/us/laitz now includes streaming audio for nearly all examples and exercises plus supplementary drill exercises
  • The accompanying Anthology contains eighty-four complete scores, many of which are newly recorded and available on the Companion Website

Obsah

  • Preface
  • Part 1: The Foundations of Tonal Music
  • Chapter 1A: Musical Space
  • Chapter 1B: Musical Time: Pulse, Rhythm, and Meter
  • Chapter 2: Harnessing Space and Time: Introduction to Melody and Two-Voice Counterpoint
  • Chapter 3: Musical Density: Triads, Seventh Chords, and Texture
  • Part 2: Merging Melody and Harmony
  • Chapter 4: When Harmony, Melody, and Rhythm Converge
  • Chapter 5: Tonic and Dominant as Tonal Pillars and Introduction to Voice Leading
  • Chapter 6: The Impact of Melody, Rhythm, and Meter on Harmony; Introduction to V7; and Harmonizing Florid Melodies
  • Chapter 7: Contrapuntal Expansions of Tonic and Dominant: Six-Three Chords
  • Chapter 8: More Contrpuntal Expansions: Inversions of V7, Introduction to Leading-Tone Seventh Chords, and Reduction and Elavoration
  • Part 3: A New Harmonic Function, The Phrase Model, and Additional Melodic and Harmonic Embellishments
  • Chapter 9: The Pre-Dominant Function and the Phrase Model
  • Chapter 10: Accented and Chromatic Embellishing Tones
  • Chapter 11: Six-Four Chords, Revisiting the Subdominant, and Summary of Contrapuntal Expansions
  • Chapter 12: The Pre-Dominant Refines the Phrase Model
  • Part 4: New Chords and New Forms
  • Chapter 13: The Submediant: A New Diatonic Harmony, and Further Extensions of the Phrase Model
  • Chapter 14: The Mediant, the Back-Relating Dominant, and a Synthesis of Diatonic Harmonic Relationships
  • Chapter 15: The Period
  • Chapter 16: Other Small Musical Structures: Sentences, Double Periods, and Modified Periods
  • Chapter 17: Harmonic Sequences
  • Part 5: Functional Chromaticism
  • Chapter 18: Applied Chords
  • Chapter 19: Tonicization and Modulation
  • Chapter 20: Binary Form and Variations
  • Part 6: Expressive Chromaticism
  • Chapter 21: Modal Mixture
  • Chapter 22: Expansion of Modal Mixture Harmonies: Chromatic Modulation and the German Lied
  • Chapter 23: The Neapolitan Chord (bII)
  • Chapter 24: The Augmented Sixth Chord
  • Part 7: Large Forms: Ternary, Rondo, Sonata
  • Chapter 25: Ternary Form
  • Chapter 26: Rondo
  • Chapter 27: Sonata Form
  • Part 8: Introduction to Nineteenth-Century Harmony: The Shirt from Asymmetry to Symmetry
  • Chapter 28: New Harmonic Tendencies
  • Chapter 29: Melodic and Harmonic Symmetry Combine: Chromatic Sequences
  • Part 9: Twentieth and Twenty-First-Century Music
  • Chapter 30: Vestiges of Common Practice and the Rise of a New Sound World
  • Chapter 31: Noncentric Music: Atonal Concepts and Analytical Methodology
  • Chapter 32: New Rhythmic and Metric Possibilities, Ordered PC Relations, and Twelve-Tone Techniques
  • Appendices
  • Appndix 1: Invertible Counterpoint, Compound Melody, and Implied Harmonies
  • Appendix 2: The Motive
  • Appendix 3: Additional Harmonic-Sequence Topics
  • Appendix 4: Abbreviations and Acronyms
  • Appendix 5: Selected Answers to Textbook Exercises
  • Glossary
  • Index
99,10  €
vč. DPH, plus poštovné
Dodací lhůta: 2–4 týdny
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– Fourth Edition –

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Naposledy zobrazené
Verband deutscher MusikschulenBundesverband der Freien MusikschulenJeunesses Musicales DeutschlandFrankfurter Tonkünstler-BundBundes­verb­and deutscher Lieb­haber-OrchesterStützpunkt­händ­ler der Wiener Urtext Edition

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